1962 - Russian Dancers come to Dublin

Russian dancers Nina Menovschikova and Veanir Kruglov Olympia Theatre Dublin National Ballet Company Dublin ©Jas.D.O'Callaghan

Nina Menovschikova and Veanir Kruglov Photo: © Jasper D. O’Callaghan

Principal Russian dancers Nina Menovschikova and Veanir Kruglov from Sverdlovsk Russia were welcomed in Dublin airport on September 1962 to a big press corps and were escorted to stay in the Shelbourne Hotel.

They performed with the National Ballet Dublin Company in the Olympia Theatre from 17-22 September 1962. Kenneth Alwyn conducted the Radio Eireann light Orchestra. Christopher West was in charge of production.

Costumes from Ninette De Valois of The Royal ballet London. Principal Russian dancers Nina Menovschikova, Veanir Kruglov, Principal English dancers Annette Page and Ronald Hynd performed with the National Ballet company on alternate nights in

~ White act of Swan Lake,

~ Pas de Deux Don Quixote,

~ Pas de deux Le Corsair,

~ Peasant Pas de deux from Giselle,

~ Les Sylphides

~ Careless Love by Donagh MacDonagh

Latin America, Wings View and Gamble no Gamble written by Patrick Kavanagh. 

Dancer Ben Stevenson OBE and choreographers were Patricia Ryan,  Alan Beale and Meriel Evans from the Royal Ballet London and Ester O’Brolchain jointly collaborated to produce this festival.

Nina Menovchikova ©Jasper D.O'Callaghan

This wasn’t very straight forward as there was no Russian embassy in Ireland in 1962. They without preamble agreed immediately and suggested that I call on the cultural Embassy in London. A day and date was agreed on. I stayed with Merial Evans and Luke Asquith who kindly put me up. Warned me not to get taken hostage! At the Embassy I talked to the Cultural Ambassador who assured me there would be no difficulty and I was to rest assured that Russia would send over 2 young dancers. So far so good. the Russians had the optimism as I had. On my return and through an ambitious solicitor John Lovett Dolan, I was informed that I would have to have permission from the Irish Government since there was no embassy and the Irish high court would have to be brought in to agree on the Russian visas etc. I suppose on the whole it seemed to go smoothly. No doubt the Russians saw an opportunity to get a foothold in Ireland and vice versa. It was decided that two dancers would perform Act11 from Swan Lake and divertissement.
— Patricia Collins
We had the good wishes of Dame Ninette de Valois who gave us 12 long white classical costumes  for the corps and also two dancers from the Royal Ballet, Ronald Hynd & Annette Page who had performed here two years previously. Alls well & we began rehearsals apart from the classical ballets. We had a change of programme through the week.  Also, and not last Ben Stevenson from Festival Ballet would also come over to dance. Christopher West (Covent Garden) worked out rehearsal times & devised the programme changes. So in the end we would have the English dancers at the start of the week  & the Russians to finish it. (Royal Ballet: Monday Tuesday Wednesday) (Russians: Thursday, Friday, Saturday)
— Patricia Collins (formerly Ryan)
Left to right Russian interpreter, Veanir Kruglov, Ester O’Brolchain, wife to culturelle Embassodor, Nina Menovshikova, Patricia Ryan, Murial Evans, Conductor Kenneth Alwyn, Russian Culturel Embassador. 

National Ballet with Russian Guests. Left to right : The Russian interpreter, Guest Dancer Veanir Kruglov, Ester O’Brolchain, the wife to cultural Ambassador, Guest Dancer Nina Menovshikova, Patricia Ryan, Muriel Evans, Conductor Kenneth Alwyn and Russian Cultural Ambassador.

Guest Russian Dancers Nina Menovchikova and Veanir Kruglov, Olympia Theatre 1962 ©Jasper D.O'Callaghan